Essay Sample on Pastoral Understanding of "From the Porch" John Koethe and Thylias Moss "Tornados"

Introduction

The nature of writing applied in the poetry works of John Koethe's "From the Porch" and Thylias Moss' "Tornados" give credit on the adoption of lack of logical flow or hierarchy or lavish description to develop an environmental consciousness around the endangered nature or culture. Therefore, the pastoral understanding of poetry and other genres of literature adopt metaphorical usage of historical religion and non-religion traditions with an emphasis on natural care and social responsibility. In this sense, the two poems develop shepherd elements in the idealistic and realistic understanding of nature and environmental interests.

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Pastoral understanding of the fundamental commitments depicted in a story to express either true or false assumptions consistently revealing live reality directions in the application of nature in the literary genre (Gifford 8). In the poems "From the porch" John Koethe and Thylias Moss "Tornados", four pastoral understanding emerge to draw to the audience the real picture of the lives in its world. Though the poetry provides four levels of worldviews that include behavioral conduct, a rule of life, beliefs and values systems, and stories and scriptures, this paper will discuss the question of beliefs and values systems. The perspectives of this characteristic of pastoral understanding entail the unspoken command of truth in the principles, doctrines, and symbols of discerning choice of good and evil. In Koethe's poem depicted "How inert the earth must look from far away:" (Koethe, 6) to demonstrate the unspoken symbolism of nature in divinity.

Based on the worldview the level of values and beliefs systems in the poems "From the porch" John Koethe and Thylias Moss "Tornados" presents a non-safe haven environment due to the high illegality, interpersonal mistrust, ill-motives of the socio-cultural perspectives, and high profile neutrality. The people in The poems "From the porch" John Koethe and Thylias Moss "Tornados" are of questionable characters because nobody is to be trusted. The poems are presented as the greatest love narrative ever told where the author considered love with divinity virtues to symbolize 'Holy Grail' (Gifford 11). 'The love between nature and human understanding in the pastoral perspectives aroused intuitive understanding, connection, and passion that lead to their marriage. Their natural understanding union was officiated in pastoral, but the nature of Koethe's job drifts him away from the implication of true loves shows self-sacrifice for the betterment of a loved one.

The inconsistent perception towards human love and death showed selfish malice that dictates that love comes with opportunities. This contradicting attitude illustrates the connotation of love as hypocrisy and deception for convenience. However, pastoral understanding upon their natural representation, they were never ready to show their spiritual reunion to the world. This kind of marriage does not demonstrate the legend to their sworn vows because they were bound to be together in every situation. The poetry's intention was to show the different attitudes drawn from presenting the same kind of the image in different ways (Hiltner 2011). In both conditions, the same types of images were used but the pairing of the images differed. The poetry was able to reveal that when an image is paired with a positive associative image more people tend to like it than when the same image is paired with neutral images where Moss states "...of conduct of philharmonic and electricity, hair (6). Therefore it is presumable that the same people would create a different attitude when the image presented to them paired in the experimental or control conditions. The tendencies to like or dislike an image depend on the present condition of the pastoral understanding of the two poems.

According to the father of logical thinking - Aristotle - self-awareness dictates extraordinary ability to live in harmony with nature and internal appreciation of self. Everybody has a unique understanding of particular aspects of life that characterizes personality rather than environmental exposure or past experiences. Aristotle associates self-knowledge or consciousness with intrinsic characteristics of mental states of held thoughts, sensations, and beliefs. This form of thinking dissociates inner thinking with the external world's understanding of human beings or common knowledge. Aristotle commends the distinct experience of personal identity as a unified agency associated with rational choices guided by various theoretical concepts as metaphysical nature. According to this philosophic explanation, Aristotle denotes that the difference in thinking distinctly differs from one person to the next due to their inner self. Nobody will think of an aspect of life in the same way as any other person due to their personality and intellectual understanding of the ability to different situations or perceptions (Hiltner 2011). According to Plato's philosophical order, practical and theoretical development of self-knowledge in life redefines the goals of philosophy - know you. The mastery of thyself emphasizes personal strengths geared to perfection in individual enlightenment. Socrates redefined self with the knowledge of just, wise and best traits that manifest themselves in a person. This idea reengineered by his school of thought student - Plato - on the dialogs that understood idealistic and rationalism of personality. The judgmental ability to house one idea around any argument gives thinking a revolutionary uniqueness of character.

The artistic analysis of the content element presented in the poems "From the porch" John Koethe and Thylias Moss "Tornados" shows a straightforward characterization of the storyline. It's heavily character driven to depict the magnitude of the social representation of death and 'true' love. The aesthetic presentation of the poems "From the porch" John Koethe and Thylias Moss "Tornados" outlines figurative speeches to serve various functions in the aperture framing composure. The poetry functions are either a realistic story or political allegory to outline the pastoral understanding.

Conclusion

Conclusively, the two poems have shown their considerable understanding of their contributions as pastoral or natural perspectives. For instance, Koethe's poem "From the Porch" has applied more of nature perspectives on the development of the poem rather than the pastoral perspectives in the presentation more natural representatives than a shepherd or pastoral livelihood. Koethe has integrated natural perspectives to the illogical flow of events in the present ratio of the natural concerns of the earth and among other natural aspects. On the other hand, the poem "Tornados" by Moss has presented more of a shepherds' perspective to show the nature of spiritual and cultural understanding on the presentation of the Renaissance of the use of gestural strategies and the lavish presentation of the development of environmental consciousness and the social responsibility. Therefore in the presentation of natural or pastoral perspectives on the development of the poems employ the humble presentation of nature and shepherd elements in the emotional and spiritual

Works Cited

Gifford, Terry (1999). Pastoral. The New Critical Idiom. London; New York: Routledge. pp. 1-12. ISBN 0415147328.

Hiltner, Ken. "What Else is Pastoral?: Renaissance Literature and the environment. Cornell UP, 2011.

Koeth, John. "From the Porch": Poetry at on Removal Essay, San Diego CA, University of Michigan Press, 2001.

Moss, Thylias. "Tornados" Advanced Poetry E-Journal. Available at http://tswww.cc.emory.edu/~mkarunu/poetry/moss.html