The Fashion Media: The Representation of Individuals or Groups

Introduction

The representations of individual or groups through various aspects of Culture such as fashion is most effectively treated as a symbolic system, by separating its elements, and determining the relationships among those specific elements which characterizes the whole system in particular general manner thus a broader public meaning can be ascribed. Regarding the various the core symbols around which the presentation is organized, the underlying structures of surface expression and the fundamental ideologies on which such presentations are based on (Gallagher 2013, pp.142.). Due to a distinct enhancement over the various behavior that is learned and the notion of getting to understand the learned behavior and mental phenomena notions of what representation of an individual or group is. There is a minor profit in extricating a concept of fashion media concerning relevant theories and examples.

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Different groups or individuals may perceive conflicting values in the same place but may not necessarily be heritage professionals. Most presentations of the groups or the individual sites will have intangible benefits derived from peoples' feelings, understanding, and interactions and the meanings of the entire public can readily be determined. Occasionally,these values expressed as a desire to understand more about the broader public range as defined by fashion media. Recognition of such values is essential for presentation and the management of heritage including clothing.

Fashion media is an essential aspect in the spectrum of culture and social life and a representation of the general public and, reacting against the traditional notions of fashion and garment-making process, satisfying the needs of pop culture and mass media. Some populations tend to conform to what trending especially in the fashion media and this act is facilitated by specific individuals or groups. They again, seem to exist portions of the population having relatively low social status and associated to the cultural symbols through fashion media. First, it has to be more acceptable for large proportion of the society to focus on that particular fashion media.

A cultural dressing mode of fashion stigma presentation has lost its sense of stigma. It notable that until recently, the only acceptable fashion trend has been ear-piercing and only for women of a specific age. Thus, attitudes to embracing a certain level of fashion by a particular group seem to have changed significantly. For instance, the body being used as a canvas to be sculpted such as drawing a tattoo either temporary or permanently. The growth in fashion media has been the central aspect of demands that things that are regarded bohemian and as countercultural becomes mainstream or even a representation of part of mass culture and meaning of the public can be easily inscribed. For instance, blue jeans from some of the fashion campiness such as Calvin Klein were regarded as outsider pursuits, and only a particular group of people or individual was using them and in turn, represented the public or that specific group at some point. Nevertheless, youths in our society tend to be the critical conformers of popular culture, and this help to distinguish themselves from older generations when the public setting, for example, the young people are the primary adopters of fashion media such as tattoos and other determinants of outsider status.

Currently, individuals are not born into a culture of fashion, but people chose to join and to adapt to a particular subculture and represent the entire public. Moreover, getting a fashion media trend to possess a fact that accessing a new garment or changing one's by a group or individual is a basis of representation of what the culture of the remaining public entails and what others stereotype of such particular group depending on their dressing code. For example, most of the fashion media firms like the D & D and Calvin Klein suggest that consumer and youth-driven cultures are certain representations of the both the Companies' and the social learning as a whole. And that, there is always a fashion that is culturally driven that possibly differentiate such individuals or the group themselves from the mainstream public culture by selecting patterns that are more unique but still in a position of representing the entire public, for instance, the Indian community, women tend to have a particular unique mode of fashion. Some other aspect of a subculture that a group uses to represent the category in which they belong to such as the tattooing of the body, cosmetics or tanning.

Sometime in a subculture based on fashion, some decisions either an individual or group makes have longevity and significance that other mundane decisions may not have. A robust personal brand is a significant asset for the individual or a group and making them too dependent less on any particular culture or an organization; therefore, an own brand is significant for entrepreneurs or free agents such as the models and bloggers, and they can represent what the public culture entails or is likely to embrace.

And have a distinct image that sets them apart in public and the can actively represent a group in which the general meaning of the public can be defined. For example, developing a brand is associated with developing an overall personal voice and point of view as suggested by Rania, Chief Strategy Officer at Digital Brand Architects. The modeling and blogs have currently evolved to be legitimate fashion media sources and that of generating money. For instance, WWD story revels fashion bloggers Susie Bubble, and they seem to dedicated to their followers and add a unique voice to the fashion dialogue and even producing original content; however, blogs make the transition from a personal style diary to profit-turning businesses, some readers have begun to feel that original and unbiased content that may end up representing the mass culture of the public.

The Literature on Sexualization

The discourse on sexualization is encountered with controversial discussions associated with the sexualization of the female body in many media formats and how the different scholars tend to understand the social perspective of this particular phenomenon. These discussions emphasize on the sexualization of the female body compared to the male body and the kinds of sexualization regarding the use of the female body for commercial and marketing purposes primarily for the fashion media to influence the public. The literature covers those with a protectionist theme with the primary aim of protecting young women and girls from the negative impacts of sexualization, to those that advocate the imposition of a more strict moral standard for female dress fashion and behavior to feminist discussions on the agency of women and girls who select to sexualize their bodies at own will.

Media Representations, Body Size, and Self-Discipline

Fashion Media representations are a significant source of information about the public and its inscribed meaning, the globe, and those who live in it. Television functions as a panopticon and serves as disciplining agent and as an institution that tends to define, shape and reflect values, norms, expectations, and perceptions of the public due to their view of a particular group or an individual representation;therefore, it is relative an exclusive responsibility of such images that the viewer's base their self-control and behavior.

Self-discipline and control concerning the time and space reflect subjectivities that are particularly infused and needs continuous body maintenance and protection and thus need for self-disciplining actions and effective practices. The type of the sated control requires docile bodies and to be maintained by the application of internalization of patriarchy.

The fashion media contribute to a group or the individual's self-control and self-discipline that serve as a panopticon particularly a cosmetic one. And as a result, fashion media tend to induce relatively permanent surveillance, movement and the size of the body related to meaningful discourse and predictive suggestions. The public is regularly made aware that violating expectations of physical appearance by the individuals or group can be determined and identified as subject to discrimination, gossip, and isolation.

Secularization, Moral Regulation, and the Mass Media

Representations or discourses about fashion and sex are factors in the reflexive construction of self-identity in modern society and public and meaning inscribed, for example, for particular groups such as the women and the LGBT community and those who contest sexual stereotypes. The periodic controversies about several fashion media representation may result into signs of tensions over the unpredictable boundaries concerning what is morally acceptable to the public at large and as perceived by specific groups and individuals of the population. It is fundamental to note the particular religious motivation behind Mary White- house's campaign and the National Viewers and Listeners Association that was driven by a concern about the failure of the traditional moral regulators to maintain moral authority in public.

However, the mass media became a vital source of threat to conventional moral authority and platforms for good campaigning (Cinpoes 2013, pp.6). This particular debate tends to focus on public controversies about fashion media representations of sexuality as a sign of significant moral variation in modern society and as a change of moral control and a portion of a contested process of secularization in contemporary society. Developments in contemporary society such as representations of sexuality in the fashion media, and thus, can result in an accentuation of public disputes and discussions concerning morals.

The Power of Fashion Media in Enhancing the Representation by a Group to the Public

Changing paradigms of the power of the fashion media has critical implications for surveying into media organizations and firms, and this raises suspicion in trying to understand the power of influence the press on central culture to bring about a subculture. The fashion media institutions have their practices and relationships linked with the socio-political environment that has emerged as a mainstream of mass communication survey. The media has had a various form of effects s on their audiences regarding the structure of presentations; thus providing a basis on which meaning of the whole public can be inscribed and interpreted.

The representations have reflected an awareness of the relative ignorance of media institutions (Watson 2013, pp.10). The media seems to have several sources that play a part in the representation: developments in the sociological survey, organizational structure, and tools for analyzing the fashion media work practices and their production process. Again, the enhanced influence of Marxist theory with the challenges to pluralist models of power in society that describes the role of the media in society especially the fashion media. The impacts of the mass media, due to Marxist analysis are discrete and measurable, however, essential in the dissemination of ideologies against the interests of working-class groups and the production of false consciousness in such individuals and groups. A shift in this view of the fashion media was created in part since of internal developments in Marxism and of the influence of other theoretical traditions.

Moreover, many of the activist and researchers have focused their attention to the role of the fashion media in cultural content and trying to understand the essence of assessing the relationship between media institutions and the...