Essay Sample on Hollywood Renaissance

Introduction

The New American Cinema popularly referred to as Hollywood Renaissance or post-classical Hollywood is the time between the mid-1960s to early 1980s. During this period, a new wave came into place, in which new generation of young filmmakers came to dominate that American film industry (Jones 167). It is important to note that in the mid-sixty there was generally lower attendance in the U.S theatres. The general audience was yearning for something fresh and equally raw; in this wake Hollywood opened its doors for new kids as well as New American Cinema directors. The new kids brought a new meaning to the film industry; in essence, they re-engineered Hollywood's classic genre, styles and subject material which were quite different from the traditional films. Additionally, the new generation heavily influenced the various movies that were produced, their marketing as well as the ways in which studios produced the movies (Kolker 2). Consequently, with the assistance of the directors brought a completely new level of intensity and a huge significance to the screens as far as movie production is concerned. Released in 2017, The "Bye Bye Man" is an American supernatural horror movie, the movie's director is Stacy Title but it was written by Jonathan Penner. This film was written based on the book The "Bridge to Body, Island", this paper will examine the concept of Renaissance filming in the movie dubbed "Bye Bye Man".

Is your time best spent reading someone else’s essay? Get a 100% original essay FROM A CERTIFIED WRITER!

Order now

Why the Movie is a Renaissance Filmmaking

Stacy Title's The Bye Bye Man (2017) is perhaps the most notable Hollywood Renaissance film-one that is actually filled with horror Renaissance that depicts the early traditional films of the 1960s. The film is based on Robert Damon Scheck's book (The President's Vampire), the movie showed horrific and violent scenes that the audience seemed to enjoy. Nevertheless, despite the strides witnessed in the movie that displays horrific scenes, the film employs a new wave liberally and equally provides close connections with the movements which are quite similar to the one used in film Bonnie and Clyde (1967). "The Bye Bye Man" film gives a cut-rate and equally a video game version, in the movie the protagonists namely, Sasha, John and Elliot keeps seeing imaginary things, for instance Eliot sees a blood corpse rising up to launch an attack on him, maggots on someone's hair, all these are hallucinations that becomes an inspiration to committing murder. These incidents illustrate a classical Renaissance filming, that incident when Faye Dunaway catches fire, Dunaway (1969) seemed to be invaded by the very spirit of Bye Bye Man, in which he shot his family member with a gun, that is equally illustrated very well in the film under discussion. Dunaway later writes a note saying "Don't say it, Don't even think it" (Kael 140).

The tone of The Bye Bye Man utilized the new wave technique of characterization of the main actors, fast cuts; spontaneous music is used to shift the tone in the films. From the analysis of the post-classical Hollywood, it is very evident that the producers of the film somehow employed a similar technique that was used in the Bonnie and Clyde movie. The Bonnie Clyde movie was heavily influenced by the French New Wave, which saw the conception of various tones in the film (Kael 148). The tone is noticed when the train runs over Kim and kills her, the producer uses these tones to bring the attention of the audience closer. The movie "The Bye Bye Man" echoes one of the French New Wave movies popularly known as Breathless (1960). We can see quite a number of similarities in the main characters Elliot and John, who were arrogant; Eliot had a hypersexual facade. Eliot's goes ahead and kills Sasha, thinking that John was committing murder, however, this particular downfall does not make the characters attractive as in the case of Bonnie Clyde, but the audience does not at all cost celebrate the deaths of the characters.

Essentially, the camera techniques in "The Bye Bye Man" are also distinctively like those in the New Hollywood movement. Several scenes in the movie depict that the producers somehow used similar camera techniques during movie production. A scenario that perfectly shows this is when John begins to experience hallucinations and equally strange activity. Another perfect example is when the librarian is knocked down by Elliot's car immediately after she has killed all her family members. A sudden change in tone occurs when the so-called Bye Bye Man decides to come for the Elliot. In this case, the characters come from unrealistic and imaginary scenarios to an abrupt sort of reality as well as fast cuts, this change in tone, particularly horrific within the few moments of the different scenes makes the audience go from a free to frightening mood. It is important to note that this film does not give the audience enough time to process their emotions as characters are killed at a relatively slow motion that depicts the beauty of its overall choreography. Additionally, the loud sound of the train after Kim is killed acts almost like the background music of the film as the character dies. The deaths of the characters actually become a great performance, regardless of their horrific nature, it gives the audience an opportunity to appreciate the different scenes in the film.

Lastly, The Bye Bye Man employs a number of music to show a change of tones at the different scenes of the movie. In scenes where the protagonists move into the off-campus house, the music is smoother and appealing to the audience, the tone immediately changes when Sasha begins to cough and sickly, tone changes further when the coins that Elliot sees in the nightstand begins to reappear, this tone prepares the audience for another important incident or to say scene. The songs, Two coins, and Full moon take the center stage and shows the extent of horrific incidences that are seen in the film.

Conclusion

It is important to note that Stacy Title's The Bye Bye Man (2017) has been equally hallmarked as one of the recent movies/films that depict the Hollywood Renaissance. From the discussions above, the producers of this film tried as much as possible to bring the new Wave of Hollywood through incorporation distinct characters as well as employing the needed camera techniques to attract the attention of the audience. Essentially, through this movie the audience can begin to appreciate the revolution of the overall American film industry; with young movie producers' today playing a crucial role as far as movie productions are concerned.

Works Cited

Jones, Kent. "'The Cylinders Were Whispering My Name': The Films of Monte Hellman." The Last Great American Picture Show: New Hollywood Cinema in the 1970s (2004): 165-194.

Kael, Pauline. "Bonnie and Clyde." New Yorker 21 (1967): 147-48.

Kolker, Robert. A cinema of loneliness. Oxford University Press, 2011.