Realism: A Historical Literary and Artistic Movement - Research Paper

Introduction

Realism is the approach of accommodating facts in preparation to deal with the state appropriately. Realism can also be described as a duration of time starting from the civil war to the turn of the century. Besides, realism can also be referred to as a literary and artistic movement in the era of the 16th and 17th century. The leading cause of the motion was due to a response towards the reaction of romanticism which acted against the move. Romanticism being the prior movement which bestowed the world too much more glamorized terms.

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Getty demonstrates realism as a dynamic movement that possesses an enormous difference within a period of the early 1820s and late 190s. As pointed out earlier that authenticity can be described in various ways; rejection of romanticism which partially addresses similar concerns concerning the revolution. A significant number of authors had identified the frustrations of industrialization mostly in regions where the quality of life and pollution were associated with.

Magical realism can be regarded as fabulist in connection to the fables convection, mythical happenings, and allegory. To be more specific magical realism involves the fiction and literature with supreme powers - a presentation of mythological elements into a factual novel.

In both aspects, there is a significant view of life and human nature lofting off the layers of romanticism to present natural or real appearance of the work. It is evident that both cases circumvent artificial, fantasy or either supreme form like elements.

The issue of pessimist concerning the matters arising in the era of the 19th Century involved a period widely identified for its trials and turmoil.

From both scenarios, God who has the supremacy is projected as not present where the poets tend to move separately with own reasons.

Rushdie's approach in his publications he has employed the art of magical realism where he is widely known for his satanic verses and the impact it had on the Muslim groups in Pakistan. He was threatened to death by these groups thus causing him to go for hiding with his family. The Iranian government had to renounce its death threats and later manipulated the Rushdie and his family to move out from hiding in the subsequent year. Through his work, he had mended the Indian traditional.

Tennyson and Robert produced works of realism concerning the transitional duly. They produced elements of romanticism which portrayed them more as being realistic. Most important it is worth remembering that literary movements are not only et in the stone but also not identified in a similar way by theirs.

Charles is also indicating realism in his work said to me it was his seminal work and he was much praised of his romanticism applied through in his poet by Gustave. This later made him a good role model of the poets in their movement.

Rushdie says that there are no real stories which possess the traces of truth in them entirely. There must be fictions to make people believe in the stories and thus attract their attention to capture the minds of the listeners. Tales are also said to make the story look more exciting and real.

There is some similarity seen through the works produced by the poets discussed above since both works project a sense of facts even though they do not have factual scenes. The reader/ listeners attention is captured by both thus a common thing in both works. For the magical realism there is the tendency of firmly believing as a true story but with time and deeper reasoning one discovers that it's magical realism. Besides, the realistic poets had to go an extra mile to have an item that would capture the attention of the reader since entire truth would be too short in the use of regular occurrences for the substantial experience as an item of drama.

Henry occasionally was criticized for producing realist work which had short dramatic events as the scenes regularly seen in romanticism. Some negative aspects of human beings would be applied to make the job more realistic, and the positive aspects were left out thus avoiding Romantic overtones.

Realism was primarily applied to examine human psychology. Robert approached the psychology of various kinds of people in the society such as murders, psychopaths among others who mostly get involved in his dramatic monologues. Dostoyevsky also made a similar approach in realism to explore on dangers associated with romanticism. Similarly, this approach is applied in the magical realism by Rushdie where get to approach the psychology of the audience, and an impact is felt.

Generally, both realism and magical realism works tend to point out society's challenges both in the romantic view and as well as socialization. These problems tend to be ignored and get to pile up thus pausing a significant unsolved problem. By these, a suggestion is made to make a change.

Both realism and magical realism tend to make use of artworks and images in their works. This was to impose into audience mind that the content in their jobs revolved around the society such that standard photos were used. This would cultivate the aspect of transformation thus rectify the bad behaviors in the community among individuals. Besides, Garcia Marquez suggests that cultures and countries differ in "real" as they call it. The magical realism happens to serve its most significant function since it enhances the inclusion of alternative belief thus bridging the cultural divide.

Nora's character is portrayed as real and authentic to herself, and even her personality is termed out by Helmer, her husband. She is said to be an extravagant lady who needs to spend all she happens to have. She is also seen anticipating for her husband's salary on how they shall spend like no other time.

Realism and Naturalism movements are separately analyzed both but seem to have been interchangeable terms sharing some profound similarities. Both were basic views of life and humanity. The poets who used the magical realism they were often associated with Latin American literature. Garcia Marquez had a heart of magical realism; thus this was projected through his work. For instance, the author seems to have refused the label as a magic realist and happens to protest claiming that he is a realist. Magic realism is said to engage the belief systems, scientific proofs among others. Generally, there exists a significant difference between magical realism and magical events in realistic contexts, hence requiring the audience to question what is "real" and how one can tell.

Conclusion

In conclusion, magical realism serves its most significant role since it facilitates the inclusion of alternative belief systems. According to realists, if an actor fails to follow these norms, the balance of powers system may appear unstable when alliances are formed. Realist works are developed for a specific purpose within a short period and also shift according to merits rather than ideology.

Works Cited

Rowe, John Carlos. Literary culture and US imperialism: From the Revolution to World War II. Oxford University Press on Demand, 2000.

Bowers, Maggie Ann. Magic (al) realism. Routledge, 2004.

France, Peter, ed. The Oxford guide to literature in English translation. OUP Oxford, 2000.

Davies, Alastair, and Alan Sinfield, eds. British Culture of the Post-War: An Introduction to Literature and Society 1945-1999. Routledge, 2013.

Zamora, Lois Parkinson, and Wendy B. Faris, eds. Magical realism: Theory, history, community. Duke University Press, 1995.

Slemon, Stephen. Magic realism as postcolonial discourse. na, 1988.