Avenue Q - Art Essay Sample

It might be entirely correct that we would not know much about life as a kid; maybe we would if we became kids again. Most people will only know what life is like when a kid if they watch TV shows or theater plays that keep entertaining and educating the society by children life such as counting numbers and differentiating the right from wrong. Then through the indispensable cycle of growth, you get to adulthood, and you realize that life is not written in black and white like you did while still young. The innocence and squeaky-clean capabilities are replaced by steady jobs and several bills. Even though in adulthood, you are much more familiarized with the wide world, you have to face that world alone. You have to swim in it and even sink in it. What about if the TV shows for educating kids were also made for the adults?

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The character who happens to be the main protagonist is a 32-year-old fellow called Princeton. He has his achievement, of which includes a B.A. in English. He is always anxious, especially where it comes to discovering his purpose in life. At Avenue Q, the rent is affordable and is tagged at a particular range of price. When Princeton arrives, he marvels at the prices and meets other characters. These characters portray a diverse array of social background. There is a character from the New York CityOs Oouter-outerO boroughs and many other. Among the principal characters are Kate Monster, Trekkie Monster, Brian, Christmas Eve and even Gary Coleman, the superintendent of Avenue Q. Both Kate and Trekkie is Oboth MonstersO meaning African-Americans. The two characters are Opeople of fur, as known in the show. Within the cast of the same show, Avenue Q, there is a fictional version concerning real life celebrities. One of whom is also a child actor, Gary Coleman, are the DiffOrent Strokes. On the contrary, mostly, his role is played by a black woman. This depicts a situation of diverse racial makeup regarding characters in the show.

University theater is one of the leading producers of stunning culture in the liberal country of the United States. As a result, some musicals have risen. For example, Avenue Q, that is Ostaged for the primary purpose of attracting audiences that never attended the OlegitimateO theater in the past. Even though both the characters and the themes of the cast portray a multi-cultural experience, there still exists a palpable whiteness in some of the arguments presented in the cast. While the production and circulation of these messages are not immune to various trends within the national discourse of the time, they do provide at least some level of affirmation to their viewers There might also be good deeds in accordance to Avenue Q. On the contrary, there might also be deeds that are selfless. At the time when Princeton generates fees for his girlfriends schooling at Monsters, he does so because he feels concerned about others and would help if necessary. He even hopes he will get her back. The lyrics of the Money Song explain the importance of doing well to others. The theme of good deeds, therefore, portrays Ayn Rand's work as complex yet produces a classical controversy of the production. The characters in the production, together with Princeton, are morally justified to be performing good deeds. The deeds are a concern as long as they benefit from the same.

The characters comfortably multitask across the roles within the cast and even turn out great vocals. They, therefore, portray a hidden complexity in providing different opportunities for misfires. On the contrary, this Australian production directed by Peter J Snee happens to be hitting the bulls eye at the epitome. Both Rose Hannaford and Sophie Wright have fantastic comic instincts. They also possess a touch of sincerity in which they also happen to be incorporating humor making the performance quite intense. On the contrary, if anyone has to criticize this fantastic production, let him criticize John Kerr. The character John Kerr sets is a very under finessed one. However, when the stage performance is top notch, such an issue becomes one of minor concern. After all, the production, Avenue Q, has a story line that is insolvent and also appears to be feisty and staying upbeat. It is also a little optimistic in the current society that is infested with debt and drudgery, both of which are perfect metaphors in the production. The presenters have thus used art from shoe-string kind of resources towards pulling off such a highly rated production as Avenue Q. It is, therefore, a result of the fusion of adult concerns in childlike whimsy that makes Avenue Q a brilliant piece of work. It is one such successful musical of all times. Avenue Q was beginning humbly in the year 2003. It casts a foul-mouthed kind of puppets who also happen to be golden-hearted. These dolls have become standard instruments of education in the world. The musical cast is astonishing owing to the abundance of skilled and energetic yet young talents in the theater scene. All the casts do deliver superb deliver excellent character performances.