Film Analysis Essay on the Salt of the Earth

Introduction

Sebastiao Salgado's name does not only beckon phantasmagorias but also brings about reflection. The core of his effort lies beyond the surface of the intriguing black and white photographs that he is well recognized for; it is supported within the cumbersome consequences of their subjects. Salgado is acknowledged for recording some of the most disturbing events of human misery, yet capturing them with a defined attractiveness that becomes often condemned. This is partially due to Salgado's choice to endlessly picture his subjects in black and white, which for a social photographer detriments an estimated obligation towards sanity for artistic and aesthetic outcomes. Nevertheless, this phase is completely overlooked in The Salt of the Earth, which remains indiscriminating towards this pressure. Salgado's enthusiasm for capturing the most historic events of our time-those we unconsciously shy away from-has caused a majority to announce him the most significant photographer in the industry today. As such, The Salt of the Earth must do fairness too far more than a man. The directors of this movie were Wim Wenders and Salgado's son, Juliano Ribeiro Salgado.

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Wim Wenders, filmed the documentary with strong emotions involved but more also it was mainly observing Salgado's journey and passion. Wender once spotted an impressing photograph of a blind lady but didn't know who took the photo. According to him, that was a combination of excellent photography skills and adventure. This documentary happens calmly with a simultaneous view of both the past and the present, pictures and videos all in the content of Salgado's experience. A typical contrast between photography and film is that it reveals in time, allowing movement, while photography only captures the immediate moment. Salgado's works mainly focus on the dominated amongst us: manual workers, displaced immigrants by battles and starvation, the people repeatedly overlooked by the community. They are the salt of the earth, Wenders retells us invoice each time. Salgado's first image shown is a large mine where laborers extract for gold and resemble ants scampering for survival - is infinitely mesmerizing. In a dramaturgical demonstration set, the picture is ridiculously gigantic, giving up the chance to notice specifics that might escape you on a reduced measure. It's higher than life.

Salgado was brought up as a poor Brazilian farmers' son, went to college to study practical but eventually graduated with a degree in economics. He married immediately and got one child, and this seemed practical to him like his life was financially laid out for him. With the help of his wife, he bought his first camera and decided to follow his passion and venture into photography leaving behind his economics career. The film explores all over the world displaying to us Salgado's career. Fascinating photos of his encounters are included: the first gulf war, piles of dead bodies he encountered in Rwanda, etc. This is all the photographers' realization that we are slowly bringing the world to an end unknowingly.

Conclusion

The films begin with horrifying situations but prove that things can get better if we are determined to make a change. The Salt of the Earth tweaks that formula by showing someone making the switch and the dramatic improvements that follow. The economist became a photographer, who became a reforestation expert and has accomplished great things in life. It is indeed an exciting and inspiring movie.